Sunday, September 27, 2015

Extended Analysis #1: Philosophy of Teaching & Prezi link

For my extended analysis, I chose to do a presentation on the University of Wisconsin: Eau Claire and write a teaching philosophy based on that research. Link to the Prezi and a copy of my teaching philosophy below:




Prezi Link: here.


Philosophy of Teaching: Agency and Integration
Leah L. Heilig

The core value of my teaching philosophy is anchored in the belief that language is a product of environment, and understanding how we engage and react to our environments is a critical part of finding opportunities for agency. I believe in higher education being an avenue of empowerment, and that a liberal arts curriculum should not only foster future members of the working force, but also create informed, reflective citizens. The core principles of my teaching philosophy include:

·         Emphasizing the role of critical thinking in the composition process
·         External applications of course material
·         Actively integrating technology into the composition classroom
·         And having transparent teaching practices

My teaching philosophy is grounded in both social epistemic and expressivist pedagogy. Language is a method used to establish and perform individual identity, as well as form connections between individuals and their society. Language, and by extension writing, is most powerful in its fluidity, especially in its employment over a variety of contexts and genres.

I believe that the first step in using writing as a tool of agency is to understand that language does not exist in a vacuum. Our environment at large, and the student’s writing environment in particular, is a collection of unchallenged truths. In order for a student to take control and have a personal investment in their own education, they must first realize the frameworks they operate within on a day to day basis. The first step to viewing writing as more than product is to first examine how we form ideas, how we communicate those ideas, and how we assume meanings based on those communicated ideas. Simply put, the first step to writing is awareness. 

In my teaching practices, awareness begins in the act of inquiry. I rely upon Classical rhetoric as a starting point to engage with reflective processes, particularly the Neo-Sophistic teaching practices of deconstruction and argumentation, as established by Susan Jarratt and Kenneth Lindblom. The fundamentals of rhetoric, such as the appeals of ethos, logos, and pathos, are footholds to establish the birth of critical thinking and self-reflection within my students. I view researched writing as an active, dialogic practice, one that should cultivate the spirit of exploration, creativity, and discovery. Students should interact with a text when they read it, and invite their own lines of inquiry into whatever material is researched. Much like Ann E. Berthoff’s dialectic notebook practice, as discussed in “How We Construe is How We Construct,” I believe it is not enough for students to research or read, they should converse, question, and reflect.

Developing awareness, both of their own biases and rhetorical constructs such as context, exigency, audience, and purpose goes hand in hand with the development of their identity as students, writers, and citizens. In order to facilitate the application of course concepts beyond the walls of the classroom, it’s essential for students to have elements of external application to their course materials. As the majority of my students are adults, knowing how to connect the information I discuss in class to everyday practices, whether they be mundane or vocational, is integral to student investment.
Students should have the opportunity of civic engagement through their writing, of being able to witness how their communication connects and effects their respective professional and social environments. When students are able to see direct, applicable use for course objectives is when students begin to become active learners. For this reason I believe in public writing that is also reflective of modern environments.
When entering an era where more and more students are able to be categorized as digital natives, it is increasingly irresponsible for higher education instructors to avoid the incorporation of multi-modal technology in the composition classroom. For most adult learners, digital environments are where they conduct most of their reading and writing, where they receive most of their information, and where they are most likely to engage in public writing. And in terms of external motivation, digital literacy and competence is becoming increasingly in-demand for most job postings. Technology should be viewed as something that is integral, not separate, to the composition process, particularly in relation to research practices, cultivating the spirit of inquiry, and engaging in communication outside of the academy.

In the modern era, students are more familiar with searching a database than a card catalogue, and modern composition instruction should be proactive in including the already-existing knowledge bases students bring with them into the classroom. I follow the philosophy of Cynthia Selfe in stating that ignoring technology is a “luxury” and “dangerously shortsighted” (Selfe 414), and that we as composition instructors have a duty to understand the effects that emergent technology has upon the composition and research processes of society, as well as incorporate our understanding into our teaching curriculum. The best preparation and education we can give to students is one that is inclusive of their own values and practices.

In that vein, it is important that my students understand the values and assessment strategies of the curriculum I am teaching them. Transparent teaching practices are necessary for keeping students engaged in the learning process, and help to mitigate that territory between challenged and frustrated. I want my students to have personal investment, power over their own education, and an understanding of communication that applies beyond the bare minimum expectations of undergraduate students. Students should always retain autonomy in the classroom, and be allowed the freedom to explore different styles, approaches, and most importantly, varying conversations in the process of receiving a higher education.
I teach not to have students understand the ultimate correct method of composition, but for them to understand their own method of composition. Students who feel as if they have something to contribute, who have agency in their writing and ownership of their intellectual work, are often active in their learning. And active learners achieve something that is not often associated with writing when it is conceptualized as product: pride. I want my students to feel that their education is more than a diploma, it is also an avenue for personal fulfillment and a way to give themselves a voice to the environment outside of the classroom. Awareness and critical thinking are skills that exist outside of academic writing, and by giving students agency over learning, research, thinking, and writing, they can ensure that their education exists outside of the classroom as well. 


Works Cited
Combined for the presentation and philosophy of writing

Berthoff, Ann E. "How We Construe is How We Construct." Fforum: Essays on theory and practice in the teaching of writing (1983): 166-170.

"Blugold Seminar, UW-Eau Claire." Blugold Seminar, UW-Eau Claire. University of Wisconsin, n.d. Web. 26 Sept. 2015.

"CCCC Writing Program Certificate of Excellence." NCTE Comprehensive News. National Council of the Teachers of English, n.d. Web. 26 Sept. 2015.

Faris, Michael. "University of Wisconsin: Eau Claire Interview." Personal interview. 8 Sept. 2015.

Jarratt, Susan C. “Rereading the Sophists: Classical Rhetoric Refigured.” The Classical World 85.6 (1992): 738. Web.

Lindblom, Kenneth J. “Toward a Neosophistic Writing Pedagogy.” Rhetoric Review 15.1 (1996): 93-108. Web.

Selfe, Cynthia L. "Technology and Literacy: A Story about the Perils of Not Paying Attention." College Composition and Communication 50.3 (1999): 411. Web.


"University of Wisconsin-Eau Claire Blugold Seminar in Critical Reading & Writing University Writing Program Application for The CCCC Writing Program Certificate of Excellence." University of Wisconsin--Eau Claire (2013): n. pag. PDF.

1 comment:

  1. Hey Leah,
    I loved your extended analysis presentation! You are an excellent presenter and thoroughly prepared. One of my interests is WPA and development of TC programs. Your presentation on U. Wisconsin Eau Claire's changes must have been prepared especially for me as you said, "The best preparation and education we can give to students is one that is inclusive of their own values and practices." You covered all the bases -- the past, present, and future of the program; the funding they received through the NCTE; and the ideology/theory behind your own teaching as related to the U. Wisconsin E.C. model. I am honored to be working with you through this PhD process. Your insightful brave just-go-knock-it-out style I'm sure shines through in your classrooms inspiring your students to produce great work if not follow in your footsteps.

    I plan to explore many writing program models in my education. You bet I'll be following your example as I engage in that research. As Dr. Clarke said in his welcome: "Rock on!"

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